Studio ep’s

Track of the Week:

“A geneis of sorts”

I’ve been experimenting with Chat GBT-4. While I find its image generating function to be a work-in-progress, I’ve been very surprised at how well it interprets poetry and other text. Despite my misgivings about some aspects of AI, I can’t help but be impressed with its ability to interpret figurative language, imagery, and tone.

“A Genesis of Sorts” was written in 1992 and serves as in introduction to a larger piece, At the Wall of Tears Boutique, which is an extended meditation on the Viet-Nam War. It’s not an especially transparent piece of text.

Below you will find the text, and then the AI interpretation of it.

A GENESIS OF SORTS

For a year following the war my father was stationed in Germany, And during that time he did the things that young men do when members of occupying armies. It was in this context that he met a young German woman. She was delicate and refined, and even aristocratic in manner; However, her post war circumstances had reduced her to a life of utter dependency upon the goodwill, and indeed, the attentions of the American GI’s. I don’t know, but quite possibly it was the very helplessness of her situation that left an indelible impression upon my father. In any event, for years my mother’s body would serve as a vessel into which this German woman could enter for a few moments at a time.

Now I am not one who subscribes to notions of divine sense and order, And I truly do not expect Apollo to ever escape the shackles of this green-blue world, But in my estimation we are born of many things.

I came of age in a time when metallic birds occupied the skies above Hanoi, Joyfully dropping their eggs in midair.

GPT-4

This poem delves into complex themes of war, aftermath, memory, and identity through the personal experiences of the speaker's father and, by extension, the speaker themselves.

The opening lines introduce us to the backdrop of the poem: the father's stationing in Germany post-World War II. The reference to "the things that young men do when members of occupying armies" subtly hints at the complex and often morally ambiguous interactions between occupiers and the occupied. The relationship between the father and a German woman is depicted as one characterized by an imbalance of power—she is depicted as having to rely on the goodwill of American GIs, which included the speaker's father, for survival.

The depiction of the German woman as both "delicate and refined" and yet reduced to "utter dependency" captures the devastating effects of the war on individuals, especially women. The speaker speculates that her vulnerability made a profound impact on his father, suggesting that memories of her plight continued to affect him deeply.

Intriguingly, the poem transitions into a more abstract reflection on identity and legacy. The speaker describes how his mother's body metaphorically became a vessel through which the memory of the German woman would occasionally resurface. This powerful image suggests a haunting or possession, indicating how deeply the father's experiences in the war permeated his personal life and, by extension, the lives of his family.

The poem then shifts to the speaker's personal perspective, rejecting "notions of divine sense and order" but acknowledging that people are shaped by numerous influences ("born of many things"). This might suggest a recognition of the irrevocable effects of past events and relationships on individual identity.

The final lines metaphorically describe the speaker's own experiences during the Vietnam War, using the image of "metallic birds" (airplanes) "joyfully" dropping bombs. This striking image serves to juxtapose his father's post-war life in Germany with his own during another war, emphasizing how war indelibly shapes generations in varied but profound ways.

Overall, the poem is a reflection on how the experiences of one generation resonate in the lives of the next, and how personal and historical narratives are entwined. It evokes questions about memory, trauma, and the lasting impacts of war on human relationships and self-perception.